sábado, 26 de septiembre de 2020

LA FORZA DEL DESTINO -COLON 1972 ( ARROYO Y DOMINGO )

 

 

 

 

La forza del destino

Teatro colon 1972

 

DIRECCION MUSICAL FERNANDO PREVITALI

 

 

 

 

A las pocas semanas de presentar la memorable LUCIA que vengo de comentar, el Col´çon seanotaba otro suceso impresionante con esta fantáztica versión de una de las Operas más difíciles de representar del repertorio verdiano.

Y qué elenco ¡!

VICTOR DE NARKE  era un intenso y sobrio MARQUES DE CALATRABGA, la gran ADRIANA CANTELLI exhibía su enorme poderío vocal como rezicilla, RENATGO CSSARI ES LUB RABA CON UNA IMPADGABCLE COMPOSICIÓN DE Fray Melitone, GIAN PIERO MASTROMEI desplegaba toda su fuerza vocal y expresidva en el vengativo Don Carlo. El grtan bajo BONALDO GIAIOTTI era un impr34esionante Padre Guardiano, y por si todo esto fuera poco una intensísima dirección musical y dos figuras protagónicas que era un privilegio escuchar.

La gran MARETINA ARROYO era una Leonora de Vargas de esneuño, desplegando su bellísima voz de lirico-spinto, con un certero registro grave y agudos de ensueño, ,especialmente los pianísimos.

·        Y el tenor era nada menos que el debutante en el Teatro PLACIDO DOMINGO en plena juventud cantandfo y actuando bnrillantemente un papel que luego no frecuentaría mucho en su cdarrera ( comoi el Duque de Mantua o Manrico de Il trovatores) que no eran precismante lo más adecuado para un tdenor central como él.

·        El público nuevamente cae en trance y casi derrumba el Teatro con sus bravos.+ç

·         Vale la pena oírla, especialemdtne si uno no teme demasiado el añorar.















viernes, 25 de septiembre de 2020

LUCIA- TEATRO COLON 1972 ( SILLS Y KRAUS )

 

 

LUCIA DE LAMMERMOOR

 GRABACION HISTORICA DEL TEATRO COLON  (AUDIO SOLAMENTE )

1972

DIRECCION MUSICAL JUAN EMILIO MARTINI

 

Vaya un año 1972 el que tuvo el Colon. Y pensar que alguna vez fue la regla y no la excepción- ¡!

Ese año la temporada incluyo 10 operas y se extendió de fines de marzo a fines de febrero del año siguiente, con la salvedad de que varios meses la lírica  cedía el escenario a la temporada de ballet, a los conciertos sinfónicos y a la temporada del Mozarteum.

Se presentaron 10 operas, 7 de ellas del corazón del repertorio tradicional ( LOS CUENTOS DE HOFFMANN, LUCIA, LA FORZA DEL DESTINO, I PURITANNI, DON GIOVANNI, TOSCA ,NABUCCO), todas ellas con repartos de calidad que en algunos casos incluían a figuras de máximo nivel en el mundo de la lírica mundial, que a la inversa de lo que ha venido ocurriendo recientemente venían a Buenos Aries en el apogeo de sus carreras y en la plenitud de sus recursos, y no en el período declinante de la misma.

Asi , ese año se pudo ver a  MADY MESPLE en LOS CUENTOS…,  CARLO BERGONZI EN TOSCA,  KRAUS Y DEUTEKOM EN PURITANI, CORNELL MAC NEIL EN NABUCCO,  GLOSSOP, BACCALONI, CASSELLATTO Y  HARPER EN DON GIOVANNI.

Pero el furor fueron las representaciones de LUCIA con BEVERLY SILLS Y ALFREDO KRAUS, seguida inmediatamente por LA FORZA DEL DESTINO con MARTINA ARROYO, Y PLACIDO DOMINGO  que debutaba en el Teatro.

Ambas grabaciones han sido puestas a disposición del público por el Teatro y me abocaré en esta y la nota siguiente a comentarlas.

No hay palabras para calificar las grandiosas interpretaciones de BEVERLY SILLS Y ALFREDO KRAUS  en la pareja protagónica, con un vocalismo de asombro , manejado con gran técnica y fuerza expresiva ejemplares. No creo haber visto o llegar a ver una representación de un nivel parecido. Y Alfredo Kraus  canta aquí la escena del enfrentamiento con el barítono, escena que es pesada de cantar y que en interpretaciones posteriores de la obra hizo cuestión de hacer cortar porque comenzó a resultarle incómoda vocalmente

Sills fue un caso extraño en la Opera de los EEUU ya que luego de una prolongada carrera de buen nivel pero nada rutilante, saltó de pronto a la fama mundial de forma casi casual cuando la NYCO la escaló  para cantar CLEOPATRA en        GIULIO CESARE. La prodigiosa técnica vocal y la facilidad con que encaraba los aob reagudos pronto se hicieron famosos en todo el mundo y los teatros de Opera litigaron por poder contratarla, llegando en su momento a ser la cantante de Opera mejor paga del mundo. Asi a los 37 años de edad y luego de una buena década cantando papeoles líricos como VIOLETA EN  LA TRAVIATA,  DONNA ELVIRA DE DON GIOVANNI Y HASTA AIDA ¡! Sills reinició su carrera  ahora como la soprano coloratura más demandada en el mundo. Perto Sills no se limitó a los embellecimientos vocales ( y yo confieso casi con vergüenza que a mi por momentos me resulta molesta su costumbre de agregar fiorituras de su propia cosecha haciendo a un lado la pàrtiturta original ) Cultivó una gran capacidad como intérprete dramática que llevó a su apogeo cuando encarnó las tres reinas de Donizetti para despecho de Rudollf Bing que había estado organizando una representacion de estas operas a cargo de MONSERRAT CABALLE y tuvo que abandonar el proyecto para que no compitiera con el de la NYCO ya que no se sabía cual sería la reacción del público a tres operas desconocidas por más Donizetti que fueran. Como dice Bing con evidente despecho  en sus memorias  tuvo que aceptar que la sorpano nacida en Queens tenía mejores títulos para encarnar a la Monarquia inglesa. El hecho es que las tres Operas cimentaron aún más la famna de Sills en el mundo, si bien perdió la posibilidad de cantar en el Met mientras Bing fue director, con lo que acabó debutando años más tarde cuando la voz no era la misma. La propia Sills reconoce en sus memorias que cantar ROBERTO DEVEREUX  posiblemente haya acortado en 4 años su vida vocal, pero que nunca cantó mejor que la noche en que estrenó dicha Opera.

Aquí en el Colon la voz estaba intacta. Canta para el asombro y encima interpreta.

Y qué decir de Krqaus que en esa época a los 45 años estaba en pleno apogeo vocal.

El mejor comentario lo hace el público que en cada oportunidad que tiene de expresarse ruge literalmente ha ciendo temer por la estabilidad de las estructuras del edificio.

Se sumó a ellos la excelente dirección orquestal de MARTINI  en una versión con nervio e intensidad, el gran barítono argentino GIANPIERO MASTROMEI entonces disfrutando de una exitosa carrera en Europa, el gran bajo VICTOR DE NARKE un verdadero puntal del Teatro caracterizado por la línea de canto solvente, elegdante y expresiva, y una bella interpretación de JOSE NAIT como Arturo, un papel que por lo breve normalmente es descuidado con resultados muy perjudiciales ya que tiene una participación clave en la escena de la boda.

Y todavía se da el lujo de tener a dos grandes cantantes locales que han brillado en papeles protagónicos, cantando papeles comprimarios LYDIA DE LA MERCED y HORACIO MASTRANGO

 





 

jueves, 24 de septiembre de 2020

PESE A LAS CONDICIONES ADVERSAS EL MET ANUNCIO SU NUEVA TEMPORADA







El  MET anuncio su temporada 2021/22. Ignorando toda posibilidad de que el tema de la pandemia no esté resuelto aún en Marzo del 2021, anuncian  para ese mes el inicio de la temporada. Es una temporada generosa en cantidad e importancia de los títulos, digna del gran Teatro que es el Met. Hilando fino se ven algunos síntomas de apriete financiero : predominan las reposiciones de puestas anteriores y si bien aparecen algunas grandes figuras, no lo hacen de una manera tan preponderante como en temporadas anteriores. Algunas de ellas,  que antes eran estrellas de presencia casi constante,no aparecen para nada en todo el año.

Una amenaza se cierne además sobre la temporada : el Met podría entrar en quiebra entre otras cosas desbalanceado por los 3,5 millones de dólares que tuvo que pagarle a JAMES LEVINE por su despido injustificado, ya que el Teatro no pudo probar las acusaciones de índole sexual que formulara contra quien fue uno dde los mas importantes constructores de lo que hoy es un gran teatro de Opera.

( lamentablemente todos los detalles están en ingles sin traducción pero les recuerdo a los lectores que todos los computadores tienen acceso directo y gratuito a traductores. Basta buscar en google “diccionaro ingles-español“para obtener una traducción, que no es exactamente un modelo de calidad y suele contener errores pero es más que suficiente para entender el artículo.

Akhnaten

Philip Glass

Akhnaten

  1. 2021–22 Season
  2. Akhnaten

Overview

Philip Glass’s mesmerizing modern masterpiece—a smash-hit in its 2019 company-premiere run—returns in Phelim McDermott’s unforgettable production, which brings ancient Egypt to vivid life with striking stage tableaux and a troupe of jugglers. Countertenor Anthony Roth Costanzo reprises his celebrated turn as the revolutionary pharaoh Akhnaten, with mezzo-soprano Rihab Chaieb as his wife and queen, Nefertiti. Once again at the helm is conductor Karen Kamensek, a noted master of Glass’s music.

This production was originally created by English National Opera and LA Opera

In collaboration with Improbable

Read Synopsis

This production runs: May 19 - Jun 10

Learn More

 

Tickets go on sale to Patrons October 12 at 10AM.

Tickets go on sale to Members ($150 Supporting level and above) and Subscribers October 19 at 10AM.

Tickets go on sale to audience members with money on account or who donated their canceled performance tickets October 26.

Ticket on-sale date for the general public will be announced in early 2021.

Cast

Select a date from the dropdown to filter cast by date of performance

KK

Conductor

Karen Kamensek

Performing

All Dates

DL

Queen Tye

Disella Larusdottir

Performing

All Dates

RC

Nefertiti

Rihab Chaieb

Performing

All Dates

AC

Akhnaten

Anthony Roth Costanzo

Performing

All Dates

AB

High Priest of Amon

Aaron Blake

Performing

All Dates

WL

Horemhab

Will Liverman

Performing

All Dates

RB

Aye

Richard Bernstein

Performing

All Dates

ZJ

Amenhotep III

Zachary James

Performing

All Dates

Creators

PRODUCTION

Phelim McDermott

SET AND VIDEO DESIGNER

Tom Pye

COSTUME DESIGNER

Kevin Pollard

LIGHTING DESIGNER

Bruno Poet

CHOREOGRAPHER

Sean G

Ariadne auf Naxos

Richard Strauss

Ariadne auf Naxos

  1. 2021–22 Season
  2. Ariadne auf Naxos

Overview

The exhilarating soprano Lise Davidsen brings one of her signature roles to the Met for the first time as the mythological Greek heroine of Strauss’s enchanting masterpiece. The outstanding cast also features mezzo-soprano Isabel Leonard as the Composer of the opera-within-an-opera around which the plot revolves, with soprano Brenda Rae as the spirited Zerbinetta and tenor Brandon Jovanovich as Ariadne’s lover, the god Bacchus. Marek Janowski conducts.

Read Synopsis

This production runs: Mar 1 - Mar 17

Learn More

 

Tickets go on sale to Patrons October 12 at 10AM.

Tickets go on sale to Members ($150 Supporting level and above) and Subscribers October 19 at 10AM.

Tickets go on sale to audience members with money on account or who donated their canceled performance tickets October 26.

Ticket on-sale date for the general public will be announced in early 2021.

Cast

Select a date from the dropdown to filter cast by date of performance

MJ

Conductor

Marek Janowski

Performing

All Dates

LD

Ariadne

Lise Davidsen

Performing

All Dates

BR

Zerbinetta

Brenda Rae

Performing

All Dates

IL

Composer

Isabel Leonard

Performing

All Dates

BJ

Bacchus

Brandon Jovanovich

Performing

All Dates

SP

Harlequin

Sean Michael Plumb

Performing

All Dates

JK

Music Master

Johannes Martin Kränzle

Performing

All Dates

Creators

PRODUCTION

Elijah Moshinsky

SCENIC AND COSTUME DESIGNER

Michael Yeargan

LIGHTING DESIGNER

Gil Wechsler

https://www.metopera.org/globalassets/season/2021-22/boheme-la/1600x685-boheme.jpg

Giacomo Puccini

La Bohème

  1. 2021–22 Season
  2. La Bohème

Overview

The Met celebrates the 40th anniversary of Franco Zeffirelli’s beloved staging with three exceptional casts appearing as Puccini’s young bohemians. Sopranos Anita Hartig, Maria Agresta, and Eleonora Buratto trade off as the ill-fated seamstress Mimì, alongside tenors Charles Castronovo and Yusif Eyvazov as her lover, the poet Rodolfo. Sopranos Federica Lombardi, Gabriella Reyes, and Aleksandra Kurzak and baritones Artur Ruciński, Lucas Meachem, and Quinn Kelsey are the on-again-off-again pair Musetta and Marcello, with Eun Sun Kim and Carlo Rizzi conducting.

Read Synopsis

This production runs: Nov 9 - May 27

Subscribe Now

 

Tickets go on sale to Patrons October 12 at 10AM.

Tickets go on sale to Members ($150 Supporting level and above) and Subscribers October 19 at 10AM.

Tickets go on sale to audience members with money on account or who donated their canceled performance tickets October 26.

Ticket on-sale date for the general public will be announced in early 2021.

Cast

Select a date from the dropdown to filter cast by date of performance

EK

Conductor

Eun Sun Kim

Performing

Nov 9,13,17,20,26,29

Dec 3

May 16,20,24,27

CR

Conductor

Carlo Rizzi

Performing

Jan 9,13,18,22

AH

Mimì

Anita Hartig

Performing

Nov 9,13,17,20,26,29

Dec 3

MA

Mimì

Maria Agresta

Performing

Jan 9,13,18,22

EB

Mimì

Eleonora Buratto

Performing

May 16,20,24,27

FL

Musetta

Federica Lombardi

Performing

Nov 9,13,17,20,26,29

Dec 3

GR

Musetta

Gabriella Reyes

Performing

Jan 9,13,18,22

AK

Musetta

Aleksandra Kurzak

Performing

May 16,20,24,27

CC

Rodolfo

Charles Castronovo

Performing

Nov 9,13,17,20,26,29

Dec 3

Jan 9,13,18,22

YE

Rodolfo

Yusif Eyvazov

Performing

May 16,20,24,27

AR

Marcello

Artur Rucinski

Performing

Nov 9,13,17,20,26,29

JK

Marcello

Joo Won Kang

Performing

Dec 3

LM

Marcello

Lucas Meachem

Performing

Jan 9,13,18,22

QK

Marcello

Quinn Kelsey

Performing

May 16,20,24,27

AE

Schaunard

Alexander Birch Elliott

Performing

Nov 9,13,17,20,26,29

Dec 3

Jan 9,13,18,22

IS

Schaunard

Iurii Samoilov

Performing

May 16,20,24,27

TBA

Colline

TBA

Performing

Nov 9,13,17

TBA

Colline

TBA

Performing

Nov 20

RG

Colline

Ryan Speedo Green

Performing

Nov 26,29

Dec 3

PK

Colline

Peter Kellner

Performing

Jan 9,13,18,22

NT

Colline

Nicolas Testé

Performing

May 16,20,24,27

DM

Benoit/Alcindoro

Donald Maxwell

Performing

Nov 9,13,17,20,26,29

Dec 3

Jan 18,22

May 16,20,24,27

AW

Benoit/Alcindoro

Arthur Woodley

Performing

Jan 9,13

Creators

DIRECTOR / SCENIC DESIGNER

Franco Zeffirelli

COSTUME DESIGNER

Peter J. Hall

LIGHTING DESIGNER

Gil Wechsler

Headshot of Giacomo Puccini

COMPOSER

Giacomo Puccini

Boris Godunov

Modest Mussorgsky

Boris Godunov

  1. 2021–22 Season
  2. Boris Godunov

Overview

Bass René Pape, the world’s reigning Boris, reprises his overwhelming portrayal of the tortured tsar caught between grasping ambition and crippling paranoia. Conductor Sebastian Weigle leads Mussorgsky’s masterwork, a pillar of the Russian repertoire, in its original 1869 version, which runs two-and-a-quarter hours with no intermission. Stephen Wadsworth’s affecting production poignantly captures the hope and suffering of the Russian people as well as the tsar himself.

Read Synopsis

This production runs: Sep 28 - Oct 17

Learn More

 

Tickets go on sale to Patrons October 12 at 10AM.

Tickets go on sale to Members ($150 Supporting level and above) and Subscribers October 19 at 10AM.

Tickets go on sale to audience members with money on account or who donated their canceled performance tickets October 26.

Ticket on-sale date for the general public will be announced in early 2021.

Cast

Select a date from the dropdown to filter cast by date of performance

SW

Conductor

Sebastian Weigle

Performing

All Dates

DP

Grigory

David Butt Philip

Performing

All Dates

MP

Shuisky

Maxim Paster

Performing

All Dates

AM

Shchelkalov

Alexey Markov

Performing

All Dates

RP

Boris Godunov

René Pape

Performing

All Dates

AA

Pimen

Ain Anger

Performing

All Dates

ST

Varlaam

Stanislav Trofimov

Performing

All Dates

Creators

PRODUCTION

Stephen Wadsworth

SCENIC DESIGNER

Ferdinand Wögerbauer

COSTUME DESIGNER

Moidele Bickel

LIGHTING DESIGNER

Duane Schuler

CHOREOGRAPHER

Apostolia Tsolaki

Headshot of Modest Mussorgsky

Composer

Modest Mussorgsky

Cinderella

Jules Massenet

Cinderella—Holiday Presentation

  1. 2021–22 Season
  2. Cinderella

Overview

Continuing a treasured holiday tradition, the Met presents a new installment in its series of abridged opera adaptations for family audiences. Laurent Pelly’s storybook staging of Massenet’s Cendrillon, a hit of the 2017–18 season, is presented with an all-new English translation in an abridged 90 minutes, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. Maestro Emmanuel Villaume leads a delightful cast, which includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and mezzo-soprano Stephanie Blythe and bass-baritone Laurent Naouri as her feuding guardians.

Read Synopsis

This production runs: Dec 17 - Jan 3

Learn More

 

Tickets go on sale to Patrons October 12 at 10AM.

Tickets go on sale to Members ($150 Supporting level and above) and Subscribers October 19 at 10AM.

Tickets go on sale to audience members with money on account or who donated their canceled performance tickets October 26.

Ticket on-sale date for the general public will be announced in early 2021.

Cast

Select a date from the dropdown to filter cast by date of performance

EV

Conductor

Emmanuel Villaume

Performing

All Dates

JP

Fairy Godmother

Jessica Pratt

Performing

Dec 17,19,24,28,30

Jan 1,3

BS

Fairy Godmother

Brandie Sutton

Performing

Dec 22

IL

Cinderella

Isabel Leonard

Performing

Dec 17,19,24,28,30

Jan 1,3

JB

Cinderella

Julie Boulianne

Performing

Dec 22

ED

Prince Charming

Emily D'Angelo

Performing

Dec 17,19,24,28,30

Jan 1,3

TBA

Prince Charming

TBA

Performing

Dec 22

SB

Mme de la Haltière

Stephanie Blythe

Performing

All Dates

LN

Pandolfe

Laurent Naouri

Performing

All Dates

Creators

PRODUCTION

Laurent Pelly

SCENIC DESIGNER

Barbara de Limburg

COSTUME DESIGNER

Laurent Pelly

LIGHTING DESIGNER

Duane Schuler

CHOREOGRAPHER

Laura Scozzi

Headshot of Jules Massenet

Composer

Jules Massenet

Don Carlo

Giuseppe Verdi

Don Carlos

  1. 2021–22 Season
  2. Don Carlos

Overview

For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Yannick Nézet-Séguin leads a world-beating cast of opera’s leading lights, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Günther Groissböck and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the all-star principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by Sir David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory.

Production a gift of The Sybil B. Harrington Endowment Fund and the Estate of Edwin C. Holmer, III.

new production

This production runs: Feb 28 - Mar 26

Learn More

 

Tickets go on sale to Patrons October 12 at 10AM.

Tickets go on sale to Members ($150 Supporting level and above) and Subscribers October 19 at 10AM.

Tickets go on sale to audience members with money on account or who donated their canceled performance tickets October 26.

Ticket on-sale date for the general public will be announced in early 2021.

Cast

Select a date from the dropdown to filter cast by date of performance

YN

Conductor

Yannick Nézet-Séguin

Performing

Feb 28

Mar 3,6,10,13,22,26

TBA

Conductor

TBA

Performing

Mar 18

SY

Élisabeth de Valois

Sonya Yoncheva

Performing

All Dates

EG

Eboli

Elina Garanca

Performing

All Dates

MP

Don Carlos

Matthew Polenzani

Performing

All Dates

ED

Rodrigue

Etienne Dupuis

Performing

All Dates

GG

Philippe II

Günther Groissböck

Performing

All Dates

JR

Grand Inquisitor

John Relyea

Performing

All Dates

Creators

PRODUCTION

Sir David McVicar

SCENIC DESIGNER

Charles Edwards

COSTUME DESIGNER

Brigitte Reiffenstuel

LIGHTING DESIGNER

Adam Silverman

MOVEMENT DIRECTOR

Leah Hausman

Headshot of Giuseppe Verdi

Composer

Giuseppe Verdi

Elektra

Richard Strauss

Elektra

  1. 2021–22 Season
  2. Elektra

Overview

Soprano Nina Stemme brought down the house when she headlined the premiere of visionary director Patrice Chéreau’s 2016 staging of Elektra. Now she returns to Strauss’s unhinged heroine, opposite one of today’s most in-demand artists, soprano Lise Davidsen, as her sister, Chrysothemis. Conductor Donald Runnicles is on the podium for one of opera’s most blistering scores, leading a cast that also includes mezzo-soprano Michaela Schuster as Klytämnestra, tenor Stefan Vinke as Aegisth, and bass-baritone Greer Grimsley as Orest.

Co-production of the Metropolitan Opera, New York; Teatro all Scala, Milan; the Festival d’Aix-en Provence; the Finnish National Opera, Helsinki; the Staatsoper Unter den Linden, Berlin; and the Gran Teatre del Liceu, Barcelona

Read Synopsis

This production runs: Apr 1 - Apr 20

Learn More

 

Tickets go on sale to Patrons October 12 at 10AM.

Tickets go on sale to Members ($150 Supporting level and above) and Subscribers October 19 at 10AM.

Tickets go on sale to audience members with money on account or who donated their canceled performance tickets October 26.

Ticket on-sale date for the general public will be announced in early 2021.

Cast

Select a date from the dropdown to filter cast by date of performance

DR

Conductor

Donald Runnicles

Performing

All Dates

NS

Elektra

Nina Stemme

Performing

All Dates

LD

Chrysothemis

Lise Davidsen

Performing

All Dates

MS

Klytämnestra

Michaela Schuster

Performing

All Dates

SV

Aegisth

Stefan Vinke

Performing

All Dates

GG

Orest

Greer Grimsley

Performing

All Dates

Creators

PRODUCTION

Patrice Chéreau

SCENIC DESIGNER

Richard Peduzzi

COSTUME DESIGNER

Caroline de Vivaise

LIGHTING DESIGNER

Dominique Bruguière

Headshot of Richard Strauss

Composer

Richard Strauss

Eugene Onegin

Pyotr Ilyich Tchaikovsky

Eugene Onegin

  1. 2021–22 Season
  2. Eugene Onegin

Overview

Ailyn Pérez has excited Met audiences in several of opera’s benchmark soprano roles, and she adds another one this season as Tatiana, the naïve young girl who grows into a sophisticated beauty in Tchaikovsky’s sumptuous opera of unrequited love. Baritone Igor Golovatenko returns on the heels of an impressive 2019 Met debut in The Queen of Spades to sing the title role of the urbane nobleman who rejects Tatiana, much to his later dismay. Star tenor and audience favorite Piotr Beczała is the hot-headed Lenski, and James Gaffigan conducts.

A co-production of the Metropolitan Opera and English National Opera

Read Synopsis

This production runs: Mar 25 - Apr 14

Subscribe Now & Save Up To 15%

 

Tickets go on sale to Patrons October 12 at 10AM.

Tickets go on sale to Members ($150 Supporting level and above) and Subscribers October 19 at 10AM.

Tickets go on sale to audience members with money on account or who donated their canceled performance tickets October 26.

Ticket on-sale date for the general public will be announced in early 2021.

Cast

Select a date from the dropdown to filter cast by date of performance

JG

Conductor

James Gaffigan

Performing

All Dates

AP

Tatiana

Ailyn Pérez

Performing

All Dates

VA

Olga

Varduhi Abrahamyan

Performing

All Dates

PB

Lenski

Piotr Beczala

Performing

All Dates

IG

Onegin

Igor Golovatenko

Performing

All Dates

AA

Prince Gremin

Ain Anger

Performing

All Dates

Creators

PRODUCTION

Deborah Warner

SCENIC DESIGNER

Tom Pye

COSTUME DESIGNER

Chloe Obolensky

LIGHTING DESIGNER

Jean Kalman

PROJECTION DESIGNER

Ian William Galloway & Finn Ross

CHOREOGRAPHER

Kim Brandstrup

Headshot of Pyotr Ilyich Tchaikovsky

Composer

Pyotr Ilyich Tchaikovsky

Eurydice

Matthew Aucoin

Eurydice

  1. 2021–22 Season
  2. Eurydice

Overview

The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Rising American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story—a product of the Met’s commissioning program. With a libretto by MacArthur “Genius Grant” recipient Sarah Ruhl, adapted from her acclaimed 2003 play, the opera reimagines the familiar tale from Eurydice’s point of view. Yannick Nézet-Séguin oversees the momentous Met premiere from the podium, leading Aucoin’s evocative music and an immersive new staging by Mary Zimmerman. Soprano Erin Morley sings the title role, opposite baritone Joshua Hopkins as Orpheus and countertenor Jakub Józef Orliński as his otherworldly alter-ego. Bass-baritone Nathan Berg is Eurydice’s father and fellow resident of the underworld, with tenor Barry Banks as Hades himself.

Production a gift of Robert L. Turner.

A co-production of the Metropolitan Opera and LA Opera

Commissioned by the Metropolitan Opera and LA Opera

Originally commissioned by the Metropolitan Opera/Lincoln Center Theater New Works Program with support from the OPERA America Repertoire Development Grant

new production

This production runs: Nov 23 - Dec 16

Learn More

 

Tickets go on sale to Patrons October 12 at 10AM.

Tickets go on sale to Members ($150 Supporting level and above) and Subscribers October 19 at 10AM.

Tickets go on sale to audience members with money on account or who donated their canceled performance tickets October 26.

Ticket on-sale date for the general public will be announced in early 2021.

Cast

Select a date from the dropdown to filter cast by date of performance

YN

Conductor

Yannick Nézet-Séguin

Performing

Nov 23,27,30

Dec 4,11,16

TBA

Conductor

TBA

Performing

Dec 8

EM

Eurydice

Erin Morley

Performing

All Dates

JO

Orpheus's Double

Jakub Józef Orlinski

Performing

Nov 23,27,30

Dec 4,8

JH

Orpheus's Double

John Holiday

Performing

Dec 11,16

BB

Hades

Barry Banks

Performing

All Dates

JH

Orpheus

Joshua Hopkins

Performing

All Dates

NB

Father

Nathan Berg

Performing

All Dates

Creators

PRODUCTION

Mary Zimmerman

SCENIC DESIGNER

Daniel Ostling

COSTUME DESIGNER

Ana Kuzmanic

LIGHTING DESIGNER

T.J. Gerckens

PROJECTION DESIGNER

S. Ka