Entradas
Met 2020
FECHAS
FECHAS
OCT 12 2019 –TURANDOT
OCT
26 2019 –MANON
NOV
9 2019 MADAMA BUTTERFLY
NOV
23 2019- AKHANATEN
ENERO
11 2020 WOZZECK
FEB 1 2020
PORGY AND B ESS
FEB
29 2020 –AGRIPPINA
MAR 14 2020 DER FLIEGENDE HOLLANDER
ABRIL 11 2020 TOSCA
MAYO 9 2020 – MARIA STUARDA
OBRAS Y ELENCOS EN
ORDEN ALFABETICA
AGRIPINA
Handel’s tale of intrigue and impropriety in ancient
Rome receives its first Met performances, with star mezzo-soprano Joyce
DiDonato as the controlling, power-hungry Agrippina and Harry Bicket
conducting. Sir David McVicar’s production ingeniously reframes the action of
this black comedy about the abuse of power to “the present,” where it should
loudly resonate. The all-star cast features mezzo-soprano Kate Lindsey as
Agrippina’s son and future emperor Nerone, soprano Brenda Rae as the seductive
Poppea, countertenor Iestyn Davies as the ambitious officer Ottone, and bass
Matthew Rose as the weary emperor Claudius.
This production was
originally created by the Théâtre Royal de la Monnaie / De Munt Brussels and
adapted by the Metropolitan Opera
AKHNATEN
Director Phelim McDermott tackles another one of
Philip Glass’s masterpieces, following the now-legendary Met staging of Satyagraha.
Star countertenor Anthony Roth Costanzo is the title pharaoh, the revolutionary
ruler who transformed ancient Egypt, with the striking mezzo-soprano J’Nai
Bridges in her Met debut as his wife, Nefertiti. To match the opera’s hypnotic,
ritualistic music, McDermott has created an arresting vision that includes a
virtuosic company of acrobats and jugglers. Karen Kamensek conducts in her Met
debut.
This production was
originally created by English National Opera and LA Opera
DER FLIEGENDE
HOLLANDER
The great bass-baritone Sir Bryn Terfel returns to the
company for the first time since 2012, in the title role of the cursed sea
captain doomed to sail the open ocean for eternity. Valery Gergiev conducts a
new production by François Girard, whose visionary 2013 take on Parsifal set
the recent Met standard for Wagner stagings. With sweeping sets by John
Macfarlane, Girard’s new production turns the Met stage into a rich, layered
tableau reminiscent of a vast oil painting. The gifted German soprano Anja
Kampe, in her Met debut, is the devoted Senta, whose selfless love is what the
Dutchman seeks, with bass Franz-Josef Selig as her father, Daland, and tenor
Sergey Skorokhodov as her deserted former lover, Erik.
A co-production of the
Metropolitan Opera; L’Opéra de Québec; and Dutch National Opera, Amsterdam
A co-production of the
Metropolitan Opera; L’Opéra de Québec; and Dutch National Opera, Amsterdam
PF
Conductor
Patrick Furrer
Performing
Mar 24,27
TBA
Erik
TBA
Performing
Mar 24
PRODUCTION
François Girard
SET DESIGNER
John Macfarlane
COSTUME DESIGNER
Moritz Junge
LIGHTING DESIGNER
David Finn
PROJECTION DESIGNER
Peter Flaherty
CHOREOGRAPHER
Carolyn Choa
DRAMATURG
Serge Lamothe
MADAMA BUTTERFLY
A co-production of the
Metropolitan Opera, English National Opera, and the Lithuanian National Opera
PRODUCTION
Anthony
Minghella
DIRECTOR / CHOREOGRAPHER
Carolyn Choa
SET DESIGNER
Michael Levine
COSTUME
DESIGNER
Han Feng
LIGHTING
DESIGNER
Peter Mumford
PUPPETRY
Blind Summit
Theatre
MANON
Exhilarating soprano Lisette Oropesa stars as the
irresistible title character, the tragic beauty who yearns for the finer things
in life, in Laurent Pelly’s revealing production. Tenor Michael Fabiano is the
besotted Chevalier des Grieux, whose desperate love for Manon proves their
undoing. Maurizio Benini conducts Massenet’s sensual score.
A co-production of the
Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla
Scala, Milan; and Théâtre du Capitole de Toulouse
PRODUCTION
Laurent Pelly
SET DESIGNER
Chantal Thomas
COSTUME
DESIGNER
Laurent Pelly
LIGHTING
DESIGNER
Joël Adam
CHOREOGRAPHER
Lionel Hoche
ASSOCIATE
DIRECTOR
Christian Räth
MARIA STUARDA
Soprano Diana Damrau,
following her triumph as Violetta in last season’s new production of Verdi’s La
Traviata, stars as the martyred Mary, Queen of Scots, in Donizetti’s bel
canto showcase. Star mezzo-soprano Jamie Barton is her imperious rival Queen
Elizabeth I, and the silken-voiced tenor Stephen Costello is the noble Earl of
Leicester. Maurizio
Benini conducts Sir David McVicar’s handsome production.
PRODUCTION
Sir David
McVicar
SET AND COSTUME
DESIGNER
John Macfarlane
LIGHTING
DESIGNER
Jennifer Tipton
CHOREOGRAPHER
Leah Hausman
PORGY AND BESS
By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin
One of America’s favorite operas returns to the Met for the first time in nearly 30 years. James Robinson’s stylish production transports audiences to Catfish Row on the Charleston waterfront, vibrant with the music, dancing, emotion, and heartbreak of its inhabitants. “If you’re going to stage Gershwin’s opera, this is how,” raved the Guardian when the new production premiered in London in 2018. David Robertson conducts a dynamic cast, featuring the sympathetic duo of Eric Owens and Angel Blue in the title roles and an all-star ensemble that includes Golda Schultz, Latonia Moore, Denyce Graves, Frederick Ballentine, Alfred Walker, and Ryan Speedo Green.
GERSHWIN is a registered
trademark of Gershwin Enterprises. Porgy and Bess is a registered
trademark of Porgy and Bess Enterprises.
A co-production of the
Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera
Production a gift of The Sybil
B. Harrington Endowment Fund
Additional funding from
Douglas Dockery Thomas
PRODUCTION
James Robinson
SET DESIGNER
Michael Yeargan
COSTUME DESIGNER
Catherine Zuber
LIGHTING DESIGNER
Donald Holder
PROJECTION DESIGNER
Luke Halls
TOSCA
Soprano Anna
Netrebko, whom the New York Times hailed as “magnificent” when she made
her role debut as Tosca in 2018, returns as Puccini’s explosive diva, back by
popular demand. Tenors Najmiddin Mavlyanov and Brian Jagde alternate as the
idealistic painter Cavaradossi, and baritones George Gagnidze and Michael Volle
complete the opera’s fatal love triangle as the sinister Scarpia. Bertrand
de Billy conducts Sir David McVicar’s stunning production.
PRODUCTION
Sir David
McVicar
SET AND COSTUME
DESIGNER
John Macfarlane
LIGHTING
DESIGNER
David Finn
MOVEMENT
DIRECTOR
Leah Hausman
TURANDOT
Two of opera’s most thrilling dramatic sopranos,
Christine Goerke and Nina Stemme, reprise their fierce portrayals of the title
princess. Yannick Nézet-Séguin takes the podium to conduct Franco Zeffirelli’s
dazzling production of Puccini’s final masterpiece, which also features tenors
Roberto Aronica and Marco Berti as Calàf, sopranos Eleonora Buratto and Hibla
Gerzmava as Liù, and bass-baritones James Morris and Nicolas Testé as Timur.
Production a gift of Mrs.
Donald D. Harrington
Apr 9,13,17,21,25
After wowing audiences with
his astounding production of Lulu in 2015, South African artist William
Kentridge now focuses his extraordinary visual imagination on Berg’s other
operatic masterpiece, set in an apocalyptic pre–World War I environment. Met
Music Director Yannick Nézet-Séguin is on the podium for this important event,
with baritone Peter Mattei making his highly anticipated role debut as the
title character. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and
the commanding cast also includes tenor Christopher Ventris as the Drum-Major,
bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the
Captain.
WOZZECK—enero 11 2019
A
co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera
Company, Toronto; and Opera Australia
Yannick Nézet-Séguin
Elza van den Heever
Tamara Mumford
Christopher Ventris
Gerhard Siegel
Andrew Staples
Peter Mattei
Christian Van Horn
PRODUCTION
William Kentridge
CO-DIRECTOR
Luc De Wit
PROJECTION DESIGNER
Catherine Meyburgh
SET DESIGNER
Sabine Theunissen
COSTUME DESIGNER
Greta Goiris
LIGHTING DESIGNER
Urs Schönebaum
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